89 Royalty-Free Audio Tracks for "Big Drum"

Snare fill for future bounce and more. . .

A 48 second long 100-bpm techno loop thing with a big dumb beat and weird noises on top. Created in fl studio.

A large pane of mirror glass sitting across two sawhorses is drummed on, making a surprisingly big resonant drum sound. At about 0:18 the inevitable happens: several extra smashing and shattering sounds are audible after the initial break.

Dense, big kick. Original description:. A basic dense kick, maybe useful in house or some minimal genre.

Metal coated tree with mallet and stick samples, recorded from physical portable recorderthe meadow, san francisco 2020. Metal metallic resonant percussive hit percussion drum tree field-recording industrial impact high-quality city. Metallic tree roots.

I recorded these samples after recording a loop of the famous think beat. I used mapex big rock kick and toms and a mapex daisycutter snare along with zultan 15" raw hihat and a zultan 20" dark matter crash.

I recorded a mouth noise. I add reverberation effect where i pick a big room size and a reverberation of 50%. Then, i add a melt opening. I generated a risset drum to create my ringtone.

My drum loops created in pro tools from the winston's "amen brother" break. These are just tests, although they do loop quite nice if you line them up right. . . . . Respect to those who want to resurrect old school jungle, hit me up if you wanna collab!big-up to thej_unglistsa_gainstp_erpetratorm_ovement.

echoes from an age of misery is made in garageband for a thing called victors crypt. I wanted something massive and huge sounding with a certain groove and swag to it. But instead of going straight to the fat bass / big drums-part i made a quiet little intro before it kicks off. I made the drums with both sampled drums and a drum-machine to make it big. And i use 3 different basses. For a little extra spice i put some strings and stuff on it. Would fit anything big, dramatic and scary!!!. Could be perfect for an intro, outro, something spooky and cool, mysterious or whatever you feel like. . . . Let the imagination run wild. Feel free to use it as you like as long as you subscribe to and watch my channel! if you wanna use it in your music and gonna release it, ask me first. Don't wanna see my music copyrighted by someone else of course. Be cool watch and subscribe to victors crypt:https://www. Youtube. Com/channel/uca8o46_wrqzehsdzuwfq3rq. Throw horns, dance & hail satan!.

Hard house style loop programmed in ableton. Straight 4 on the floor with a big kick and a top end break run through an auto filter and beat repeat for a glitchy random sound. 4 bars at 133 bpm.

For this sample, i have to use a stereo recording. Drum and bass stylei put an effect to melt in closure, and an effect to change the height (-70. 000, pitch from d to f), and an other effect to change the height (+ 12. 575, pitch from d to e).

Piano lid gently taps as it is opened and rests against the upper front board. Organic reverberations can also faintly be heard from the detuned strings. Possibly could be used for something interesting, it has a wooden bass drum sound. 100+ year old upright piano, microphone placed directly inside. (sample 1 of 4).

Layered snare that has been eq'd (equalised)it was made in ableton and processed with a couple of third party plugins. It's a combination of sounds that i've found on the internet and recorded. This snare obviously doesn't have to be played in trap music but it's been layered with a 808 even if you can't here it or not it has similar fundamentals. It has been compressed also.

Dubstep beat programmed with caustic 3 and mixed with ableton. 4 bars at 150 bpm big kick with snappy snare. Reverse snare and reverse spacey crash for extra effect. Busy hi hat pattern. Some gentle eq and mix compression and reverb and slight delay on hats and reverse effects. Ready to go.

Processed / experimental dubstep beat (8-bars), good quality. Wav. "unused" yet. Feel free to exploit! decided to start sharing my beat garage so enjoy, and msg/email me if you need similar/specific samples/loops =].

Low, tuned percussive sounddesign, made with a synth, a big reverb and an eq. Try to use it with a contrabass, it works really well ;)format : wav 24-bit, 44100 hz.

Tuned percussive sounddesign, made with a synth, a big reverb, an eq and a guitar amp. It is a bit more agressive than the previous one. You can use it for filmscore music, ambient. . .

In my vague times, i wonder what the sound of small pieces of wood in the middle of the vastness of the forest, the sound of the trees beating with their different leaves, pity that is just an illusion of my mind, a citizen of the big city where vehicles and crowds make everyday noise. The drum sound and cuica met was really cool to ambient music and sound effect with reduction and increase in volume.

This is a beatboxing clip i made using an open-sourced klatt text to speech engine. This version of the clip was modified for a mashup i created called nostalgia heaven. You don't have to credit me if you don't want to, but if you do want to, i'll give you a big hug! :-)klat engine (command line application): https://www. Dropbox. Com/s/0qvsqwrlfeqxyrc/klatt. Exe?dl=1the klatt engine was compiled by philip bennefall of blastbay studios: http://blastbay. Comphilip's youtube channel: https://www. Youtube. Com/channel/uccxndm8oilkzzjorvjizmfgnostalgia heaven: https://youtu. Be/zl3f419-pzc.

Http://www. Myspace. Com/capashen2note : please show me your composition when you used this sample, i would to listen it !:d. Very usefull sample for transition within two parts. To bring the chorus for example. Made with : white noise filtered, drum layering, big plate reverb. . . I use it all the time hehe. Tip : it was not very processed in order to make your own process like sidechain on reverb tail, envelope. . . . Etc.

This is the sound of a snare drum after i added reverb to it and slowed it down about -81 percent. By the way, this morning, i purchased a very interesting book entitled "harmonograph: a visual guide to the mathematics of music" by anthony ashton. I haven't read much of it yet, but it is explaining how eye-pleasing shapes can be created by utilizing vibrations and a harmonograph. I think you should check this book out. Made with audacity.

Part of "semiloopdrumsamples" package, please dl the whole package. . With 'semilooped' i mean that only the ride and hihat are longer loops and the kick and snare is separate for better flexibility. I only made basic patterns tho as this package is mostly meant for creating custom playalong/click tracks. No eq's, i'll let the user do that. . Again for flexibility. All samples are stereo(48khz24bitflac), since the sound of the kick naturally leaks in the overheads and the overheads are a big part of the snare sound.

This is a series of sounds created for spitfire audio's make music day 2020 #spitfiremmd2020 it is a plastic drum, a springy pot rack and a big metal chip bin. There are both harmonic and enharmonic sounds here. The bin as a wonderful resonance and a lot of low end. This is a mono recording through a sennheiser 416 and an rme pre-amp. Enjoy!.

Http://www. Myspace. Com/capashen2 note : please show me your composition when you used this sample, i would to listen it !:d. Very usefull sample for transition within two parts. To bring the chorus for example. It sounds a bit electric with an sound effect made with synth. I use it all the time hehe. Made with : white noise filtered, drum layering, big plate reverb. . . Tip : it was not very processed in order to make your own process like sidechain on reverb tail, envelope. . . . Etc.

boo (i got you good) is made in garageband for a thing called victors crypt. I'm currently in a beat 'n bass-mode it appears. Made this drums on a vintage-sounding drum-machine and added some sampled drums for a more vital sounding beat. Wanted a cocky big bass-line and some spooky music box stuff, sci-fi synth and more. It's space and horror meeting groove i guess. Could be perfect for an intro, outro, something spooky and cool, mysterious or whatever you feel like. . . . Let the imagination run wild. Feel free to use it as you like as long as you subscribe to and watch my channel! if you wanna use it in your music and gonna release it, ask me first. Don't wanna see my music copyrighted by someone else of course. Be cool watch and subscribe to victors crypt:https://www. Youtube. Com/channel/uca8o46_wrqzehsdzuwfq3rq. Throw horns, dance & hail satan!.

It's a 15-minute long drum improvisation. It contails a lot of different beats and rhythms played so you might cut-out some loops for your needs. The kit has:- single kick- snare- hihat- 3 toms- broken crash that sounds really short- ride. The kit was old and not in perfect condition. I also used my sticks to play on some other part of the drumkit, like metal stand for the crash etc. I also got up and stated running around in a circle hitting sticks together and afterwards hitting drums and cymbals while running around the drumkit. I took my shoes off before i started so you can't hear my footsteps. I didn't use a metronome and i know i don't hold the tempo and it's a bit wiggly sometimes. I think this performace was inspired by band mr. Bungle. I recorded this with zoom h2 handy recorder's front stereo xy mics. It was standing on a table about one meter above the floor. Facing the drumkit and me. It was captured into a 48khz/24-bit wav file, then i trimmed the ends and converted this to flac using audacity. No processing applied, though i think it sounds nicer when you put these effects:. 1. A compressor:-attack: 10ms-release: 50ms-ratio: 2. 5:1-treshold: around -24db2. A reverb:-decay: 1. 5 to 2 seconds-dry: 0db-wet: around -15 db. It amazes me how much energy compression actually adds to drums!. I made this with my podcast (http://unfamusic. Com/fnr/) in mind. I want to overdub guitars, vocals and make it one big schizophrenic song. If you're interested to hear it, leave me a comment so i can find you, or just subscribe to my podcast's rss (http://feeds. Feedburner. Com/unfa-fnr/).

Cinematic Drudging deep dark piece with big big drums. Source: Kevin MacLeod - Kevin MacLeod

Big room drums, tone: e speed: 128bpm length: 32 bars. Made in fl studio by mixing various samples and loops. Recorded in edison. Starts with one kick, then adds rides, then claps and a riser.

I used some native americans recording, erased the drums, pitched them down, added big reverb.

Jazz big band warmup before a gig. Trumpets, reeds, drums, create the typical cacophony of sound before the show. Recorded using a decca tree microphone setup. Zoom h4n, 48khz, 26 bit.

Jazz big band warmup before a gig. Trumpets, reeds, drums, create the typical cacophony of sound before the show. Recorded using a decca tree microphone setup. Zoom h4n, 48khz, 26 bit.

This is a collection of "small room reverb" impulse responses that i sampled in a new england home known as butternut lodge, built and owned by actress bette davis back in 1940. It consists of all wooden rooms with many non-parallel surfaces, rugs and furniture and includes 3 round-shaped "silo" rooms! these rooms sound clean and do not have the irritating "ping" of many rectangular rooms. Short history/pictures of butternut (https://www. Airbnb. Com/rooms/24692769?source_impression_id=p3_1659215694_liuasyfxoceab5fn). Although these round shapes (and some of the other very small rooms) could potentially wreak havoc with phase at specific frequencies when summed to mono, i recorded this using the mid/side mic technique; therefore, the "side" channels fully cancel out, leaving a clean monaural reverb signal. These irs are stored as flac files. They can be used directly by any daw without conversion and have the added feature of being id3 tagged with a photo of the room each ir is taken from. After downloading, select view -> large icons in the folder to view the rooms. I sampled each room using a swept sine wave into a jbl flip 6 bluetooth speaker; recorded through a tascam tm-st1 m/s stereo microphone, feeding a tascam dr-07 recorder @ 24-bits 44. 1 khz and deconvolved using reaper. As of this post, i've been using these rooms for about 2 weeks. So far, i've found the "garage" to sound fantastic on drums! the drum sound! also, many of the other smaller rooms have a great effect on guitars, keys, and hand percussion. Each room varies in tone and brightness, so i've found that selecting/tuning the reverb send works well if approached like an eq. Increase the effect send until the instrument "feels" right (then perhaps back off slightly). A close-miked acoustic guitar, for instance, will take on a nice brightness and 3-d quality; not particularly reverberant, just big. At that point, i recommend applying any eq, compression, and bigger-sounding reverb effects. Hopefully you enjoy this. Please let me know how you like it and if you have any suggestions. Cheers!. Ken.

A short looping 160-bpm music loop with 16-bit sounding arp and lofi drums and big bass. Created in fl studio.

My first upload! this sound i made using the zmors synth on my ipad air2 - i used audiobus which is a great routing software allowing many of a lot of awesome sounding synths that are now on ipad and can be played professionally via a usb keyboard controller (very handy for gigging) okay this is getting too wordy. . . I used audiobus overall with zmors in the first slot being routed through the wonderful aufx eq app in the center (effects) slot then ran the most useful of all ---> audioshare app in the 3rd or output slot to record it all. . . Keep in mind that the number of devices you can run in these three slots is virtually limitless - as much as your device can handle so you can get really nuts with several synths, a drum machine, etc all routing to the middle (fx) stop in the chain and picking up a fat 3 or 4 nice sounding effects devices then on to output to audioshare or you can now use just audioshare as host and run zmors in it directly (and probably more smoothly). I chose zmors because on a couple of other ipads (ipad mini, ipad 2 especially, and ipad air a little bit) i was noticing that it was a resource hog and was not playing correctly or there was a huge lag in the latency so with the new(er) ipad air 2 i wanted to hear the zmors synth and it really is an underappreciated majestic sounding beast if you ask me. I am going to experiment further with it as the unique architecture and just the way it sounds is totally different from any other synth i've yet to hear on ipad or in general. It kind of reminds me of a fatter, more modern. Sequential circuits 6 track. Which i've had a couple of and have a thick layered sound - kind of like a really nice turkey sandwich with a good portion of swiss cheese then you notice that there's still some roast beef left and put a good amount of that between bread as well. Hell, that's a sandwich that's gonna be filling! thanks for reading.

*unprocessed version* loopable. Crowd reunited in front of parliament chants in protest against the government during a major economic crisis in portugal. Drums rhythm and big crowd singing and clapping along. Recorded with fostex fr2 and a sanken cmd-10 stereo microphone, october 15th, 2011.

*processed version with fx* loopable. Crowd reunited in front of parliament chants in protest against the government. In 2011 during a major economic crisis in portugal. Drums rhythm and big crowd singing and clapping along. Recorded with fostex fr2 and a sanken cmd-10 stereo microphone, october 15th, 2011. .

I made a riff on my guitar and added drums, synth, organ and more to make it bigger, heavier and more horrific. I made it in garageband for something called victors crypt. Think it would fit something bombastic and evil. Feel free to use it as long as you give me the credit for it/write me as composer. And subscribe to and watch my channel :). Be cool and subscribe to victors crypt:https://www. Youtube. Com/channel/uca8o46_wrqzehsdzuwfq3rq.

Scary music i made in garageband for something called victors crypt!. Bass, drums and dramatic strings with piano and stuff with reverb on top of it. All to get that cool mysterious and straight up evil vibe. Think it would suit anything creepy, scary, cool, big, suspence, horrific, sci-fi, mysterious or anything you can think of. Feel free to use it as long as you give me the credit for it/write me as composer. And subscribe to and watch my channel :)!. Be cool, watch and subscribe to victors crypt:https://www. Youtube. Com/channel/uca8o46_wrqzehsdzuwfq3rq. Throw horns, dance & hail satan!.

Made in ableton live. A slow firing heavy weapon. 19 layers were used to create this one. Eq was used to select different frequencies from various weapon samples and compressed together for the inital transient or pop. Time based fade in/out layering was used for the sustain and reverb tails so they fit nicely together. The single shot that was layered together was then printed as a new audio sample. I created a loop and pitched every shot by a few cents or 1 semitone to add variation. Each sample was then manually shifted on the timeline forward or backward by milliseconds to give a more realistic feel in timing rather than sound robotic. Each shot was sidechained to duck down in volume when a new shot triggers for more clarity. Mechanical trigger and bolt movement samples were add in before/after the initial transient of the shot. Shell hit floor samples were used for added detail. I felt the shots lacked a good sub bass so an eq was used to filter out the sub and replaced with a rapidly decaying 808 kick drums sub. Once the loop was formed, all shots were then grouped together and processed with a transient designer into a clipper, a compressor, a maximizer, ott multiband, gluing reverb, stereo spread and then into a final limiter. Enjoy.